With my friend and colleague composer Christopher Scinto and composer Judith Cloud, I was part of a vibrant a panel discussion, moderated by Laura Kelly, on "Words and Music" at the Northern Arizona Book Festival in Flagstaff, Arizona. It was an amazing discussion! Follow the links below for more information.
http://azdailysun.com/her-poems/image_60e09af9-d33f-5fbb-b5e4-2d3c1f554bee.html
Sunday, May 19, 2013
Wednesday, May 15, 2013
Why the Imagination Matters
Below is the text of my keynote address that I gave at our college's graduation ceremony on May 10, 2013.
Dr. Dale,
honored guests, colleagues, graduates and all who have gathered here to
celebrate—thank you for this opportunity to speak to you tonight.
When I accepted
my award for U.S. Professor of the Year last November at the National Press
Club in Washington D.C. to an audience of educators representing colleges and
universities across our country, I was thrilled.
I was—and
am—proud to represent our college, our district and our state as well as the
community college as a national institution. It was—is—an honor to “tell the
story of us.”
Graduates, in
this suspended moment, you are, no doubt, noticing that electric feeling which
comes from alternating between relief and celebration, liberation and excitement.
But sometime
during this evening I ask you to reflect—not on what you have learned during
your time at this college—
for surely, your
diplomas and certificates testify to the knowledge you have mastered—
and your robes
and mortarboards signify your accomplishments. Your transcripts stand witness to your efforts—
Graduates, I am
here to ask you this last question—a kind of final test:
What kind of
person will you be in this world which is at once harsh and beautiful, vulgar
and elegant, cynical and optimistic, threatening and brave?
Tonight I invite
you to consider the person you have become—your values, beliefs, choices and
commitments—who you are now and
who you hope to be.
Moreover, I ask
you to reflect on this thought—you are here tonight because you have imagined
yourselves here—you have imagined possibilities for your life and your place in
the world. And you have acted on
the promises you made to yourselves born of those imaginings.
For some, during
your time at our college, you pictured yourselves sitting here at this great
gathering, even as you took a full load of classes and worked full-time—in or
outside the home—
for others, you
saw your name on a college diploma or certificate, framed handsomely on
your wall.
And you saw this
image even as the printer ran out of ink, your car had a flat tire just before
you headed out for class;
you saw this
image in your mind’s eye even when a family member or friend or work colleague
needed your full attention as you prepared to study for a major test.
You saw all this
even when your finances ran dangerously low or, in some cases, completely out—
There are
graduates sitting here tonight—you who took classes, wrote papers, gave
presentations, joined programs and assumed leadership positions that challenged
or exhilarated and perhaps even scared you a little—or a lot—
you who believed
in this day, the time when you would be welcomed into the community of
scholars.
There are as
many stories of hard work and persistence as there are graduates tonight.
Whatever your
specific story, you all are here tonight because you did not give up.
Your imagination
led you to choices, your choices created actions, your actions brought you
here.
The dreams you
had for yourself and your life when you first came to us may have changed. Perhaps they have
grown larger. Perhaps they have multiplied. But these dreams were—and are—of consequence.
You are here
because you believed in a future for yourself in which—despite obstacles
big and
small—your intelligence, energy, discipline, curiosity and seriousness of
purpose would bring you to this very place many call “successful.”
But I am here to
tell you that your faculty and staff also imagined this night.
Those on our
campus who—in and outside of the classroom—taught, mentored, cajoled, pushed
and challenged you.
The dreams your
faculty and staff had for you were
realized in the courses we teach, the programs we run, the buildings we help
build, the debates we engage in, the lives we touch.
We dream the
dream of those educators who came before us and those who will come after us.
Those who believe that only citizens of an educated culture can grow into their
best selves.
And we, like our
graduates, acted on those hopes.
Yet,
there is another force operating in and on the imagination of what education
can and should be.
Graduates,
your community members, family and friends had—and have—visions for and of you.
Their dreams may be strictly personal or they may be more eclectic—but they,
too, are backed by action.
And,
as importantly, these dreams are firmly rooted in the democratic ideal which
says that where fairness and access meet determination and persistence, a “more
perfect union” is formed.
So
tonight—Graduates, Faculty, Staff, Community Members—here we sit—the living
manifestations of hope—
for
together we have imagined our future.
—Lois
Roma-Deeley
May 2013
Saturday, April 6, 2013
USF: The Poetry of Inspiration and Application
The University of South Florida invited me --and the
three other 2012 U.S. Professors of the Year: Christy Price from Dalton State
College in Georgia; Todd Pagano from Rochester Institute of Technology in New
York; and USF’s own Autar Kaw --to participate in the university's third annual
Student Success Conference. It was the first time that all four U.S. Professors
of the Year met outside of the official Washington D.C. U. S Professor of the
Year Award event held in Nov. 2012.
It was a whirlwind of a day--and night--on Wednesday, April 3, 2013 when I was reunited with my U.S. Professors of the
Year colleagues. The main event, a town hall meeting, saw more than 300 faculty, staff and
students in attendance and lasted well over two hours. Dr. Ralph Wilcox, USF Provost served as
moderator. He began by asking us, the panel, specific and varied questions about teaching, current educational
challenges and our visions and hopes for the future of education. Dr. Wilcox
then turned the meeting over to the audience for an extended question and answer
period.
Below are various links to
some videos and articles which will give a fuller account of a truly inspiring
day.
I use the word
"inspiring" deliberately. For what I found at the formal meeting, in the audience, on
the campus, during informal talks with high ranking administrators as well as
"in-the-trenches" administrators, teachers and students was a
community of educators who are deeply committed to creating excellence in and
outside of the classroom
This is an organization that
is not afraid to have a vision. For example, just walk through the campus and see
the huge "Make an Impact" banner reminding us that education is so
much more than just about making money. This university not afraid of the work toward the application of the
“Make an Impact” vision...hence
the town hall and myriad specific resources devoted to student success.
And student success seems to
be defined as “human success.”
Moreover, the university is
not afraid of graciousness--hence the endless rounds of "Autar, you so
deserve this!" These
statements, and the culture from which they stem, were heard over and over again
from faculty and staff alike as we walked with Autor Kaw around his campus.
These folks like each other, support each other and they value kindness,
modesty, generosity as well as academic excellence.
As I return to my classes
today and this week at Paradise Valley Community College in Phoenix, Az I will
remember that I am not alone in my efforts to help create an educated, civil,
gracious citizenry through the privilege of the higher educational
experience. I will remember that
not only do I have like-minded, hard working, committed friends and
colleagues at my own college but
3,000 miles away at USF and other sister institutions there are others who, day-by-day, student-by student, labor--in big ways and small--to make a better world.
And I know there are some
out there reading this—or not—who think I am too idealistic or whatnot—and I
will ask them this question: What do you do to make our country a better place? I will say to them what I said at the end of my talk at USF…
“What we do matters….I don’t
care what anyone says, this is how you change the world.”
(from l. to right: Autar Kaw, Lois Roma-Deeley, Christy Price, Todd Pagano)
Friday, March 15, 2013
5 Lines, 5 Poets, Women's History Month, 2013
Here are 5 lines by 5 women poets in honor of Women's History Month:
Love is not all. It is not meat or drink.
--Edna St.Vincent Millay
I study my lesson slowly.
--Patricia Hampl
Some questions can not be answered.
--Jane Hirshfield
"We should imagine that we are in Heaven,"
--Kathleen Norris
Memory 's got its suitcase packed and is always leaving.
--Maggie Anderson
Love is not all. It is not meat or drink.
--Edna St.Vincent Millay
I study my lesson slowly.
--Patricia Hampl
Some questions can not be answered.
--Jane Hirshfield
"We should imagine that we are in Heaven,"
--Kathleen Norris
Memory 's got its suitcase packed and is always leaving.
--Maggie Anderson
Monday, March 11, 2013
The Citron Review, Ten Amens, Lois Roma-Deeley
Check out my new poem, published by The Citron Review, March, 2013
http://thecitronreview.wordpress.com/2013/03/05/ten-amens/
http://thecitronreview.wordpress.com/2013/03/05/ten-amens/
Thursday, February 14, 2013
"Arguing With Angels" --Shadur and Roma-Deeley--Image and Word
Here is the latest Poetic Dialogue project, curated by Beth Shadur, which opened at Christopher Art Gallery of Prairie State College,
Chicago Heights, IL on February 11, 2013. The artwork underneath the title of the exhibition material was created by the project's curator Beth Shadur. The words "with only this," which are sitting in the cupped hands, are from my poem "Arguing With Angels," published in my third collection of poems High Notes. Beth and I are collaborators, colleagues and great friends. I have had the great fortune of curating the poetry for the Poetic Dialogue projects and working with Beth for 10 years. My poem is printed below. There is a statement from Beth Shadur about the current project below that.
Arguing With Angels
It is the August thunder storms that speak
for me. The voices from outside of time
will press their lips to both my cheeks and weep,
What do you want? "Just give me what is mine,"
I say to threads of silver dust that cling
to shaking window shades. What will you have?
How can they answer blood and bone? Nothing
to say? the dancing echoes spin and laugh
at me. I may not own the heart that pumps
uncertainly within or lets it go; but what comes
through yellow rooms to open me is cold.
It drinks the rain; it asks, "How will you live?"
I make my hands a cup: with only this.
About the Exhibit
Curator's Statement
Curator's Statement
Our February exhibition features selections from Collaborative Vision: The Poetic Dialogue Project, curated by Chicago artist Beth Shadur, which was the third exhibition in the ongoing Poetic Dialogue Project of collaboration between contemporary artists and poets, creating new works of art by responding to the muse of each other's works in a creative dialogue. This project came about after a wonderful meeting of hearts and minds in 2004 at the Ragdale Foundation* between Arizona poet Lois Roma-Deeley and Shadur, as both explored the parallel creative process of artist and poet in an ongoing dialogue, and began to collaborate in their own work. The previous two exhibitions, one in 2004, in which twenty-one Chicago area visual artists responded to the poetry of six national poets, and a second exhibition in 2005, where works of visual art themselves become the muse for each poet in works of 'ekphrasis', premiered in Chicago at ARC Gallery, the second oldest women's cooperative in the nation, where Shadur served as Executive Director at the time. These shows then traveled nationally, became part of the 2004 and 2005 Chicago Humanities Festivals, were included in the International Conference on Arts in Society in Edinburgh, Scotland in 2006, and the Project was published in the International Journal of Arts in Society in Melbourne, Australia.
In the 2009 exhibition, premiering at the Chicago Cultural Center, Shadur paired thirty-one visual artists with thirty one poets based on the resonance of their works. In this exhibition, artist and poet were asked to develop a creative collaboration in whatever direction they chose as a pair, to create a new work of art. The collaborative process was defined by each pair in a unique way. Some pairs met in person to collaborate, while others worked through the internet to send images and poetry back and forth. Others created an ongoing spoken dialogue. Works were developed to integrate text with visual images in a wide variety of ways, from dialoguing and using the poet's voice, such as in the work of Beth Shadur and Lois Roma-Deeley, to physically making the work as a team, as illustrated by the collaborative installation of LaShawnda Crowe Storm and M. Eliza Hamilton Abegunde that exemplifies and honors the collaborative nature of African American quilting. Poets mentioned experimenting and working outside their own comfort zone to create new ideas and forms for their work, while artists who had never considered text as part of their work found ways to integrate the poet's voice. The ongoing dialogue offered each creator the opportunity to witness and effect the creation of "the other", respond, communicate, argue, compromise, and sometimes, to change or overcome difficulties. In making collaborative work, each individual brought his or her strength to the paired collaboration, allowing each contribution to be weighed and valued, given critical consideration, as the pair moved to develop solutions to the creative process as a team. In some cases, the collaborative effort was exciting and inspirational, in others problematic. Some pairs mentioned difficult struggles in working with a person who was a stranger; and yet struggle, too, is part of the creative process. All pairs found that the collaborative process in creativity became a catalyst for new directions, new forms and new paradigms in their process and practice.
Collaborative Vision: The Poetic Dialogue Project was an exhilarating exhibition to curate, as Shadur offered the unique opportunity to each creator to venture forward in challenging their established practice by working with a partner. Some pairs have moved ahead to extend their collaboration in future works, (such as poet Cynthia Hogue's book Or Consequence (Red Hen Press 2010), which will feature artist Mirjana Ugrinov's work on the cover) Pairs such as artist Granite Amit and poet Jan Beatty have now collaborated on works for years, since paired in the original exhibition. What originated from Shadur and Roma-Deeley's early conversations at the Ragdale Foundation, in the warm yellow light of the kitchen overlooking the Illinois prairie has developed in ways beyond the wildest dreams of the pair, who have now collaborated for five years. The most recent exhibition, Collaborative Vision: The Poetic Dialogue Project, has taken the project in its most exciting direction, that involved sixty-two imaginative individuals in a truly collaborative unfolding of creativity; and all artists and poets involved have expressed their delight in participating in this collaborative process. The works seen here a selection of works from that exhibition.
* the Ragdale Foundation is an artists colony where visual artists, writers and musicians convene to live and work, away from the distractions of their daily lives
Collaborative Vision: The Poetic Dialogue Project
Granite Amit, Jan Beatty: Classifieds
Ana Fernandez, Kathryn Dohrmann: Contained / Released
Kim Laurel, Michael Burkard: One
James Mesplé, Jeffrey Levine: The Color of Cardinals
BettyAnn Mocek, Michael Heller: COLLAGE: MATRIX: CITY:BIRD
Charlotte Segal, Margaret Rozga: Fuji-san
Beth Shadur, Lois Roma-Deeley: Arguing with Angels
LaShawnda Crowe Storm, M. Eliza Hamilton Abegunde: Be/Coming
Lynn Takata, LR Berger: The Space Between
Annette Turow, Steve Orlen: Deuteronomy 6.7
Mirjana Ugrinov, Cynthia Hogue: Stones Too
Ana Fernandez, Kathryn Dohrmann: Contained / Released
Kim Laurel, Michael Burkard: One
James Mesplé, Jeffrey Levine: The Color of Cardinals
BettyAnn Mocek, Michael Heller: COLLAGE: MATRIX: CITY:BIRD
Charlotte Segal, Margaret Rozga: Fuji-san
Beth Shadur, Lois Roma-Deeley: Arguing with Angels
LaShawnda Crowe Storm, M. Eliza Hamilton Abegunde: Be/Coming
Lynn Takata, LR Berger: The Space Between
Annette Turow, Steve Orlen: Deuteronomy 6.7
Mirjana Ugrinov, Cynthia Hogue: Stones Too
Exhibiting February 11 - March 7, 2013
Artists Reception: Thursday, February 21, 4:30 - 8 p.m.
Artists Reception: Thursday, February 21, 4:30 - 8 p.m.
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